Director suffers fatal hemorrhage
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 Minghella
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LONDON —
Anthony Minghella, the
Oscar-winning director and writer of “The English Patient,” died Tuesday. He was
54.
A spokesman said he suffered a fatal hemorrhage at 5 a.m. GMT Tuesday at
Charing Cross Hospital in London, where he had undergone an operation last week
on a growth in his neck.
Minghella most recently directed the BBC/WeinsteinCo./HBO telepic “No 1
Ladies Detective Agency,” based on Alexander McCall Smith’s novel set in
Botswana, which is due to premiere March 23 on BBC1. He co-wrote and co-exec
produced the adaptation with Richard Curtis.
His last movie was “Breaking and Entering” in 2006, also for the Weinstein
Co. His other movie credits include “Cold Mountain,” “The Talented Mr Ripley,”
“Mr Wonderful” and “Truly Madly Deeply.”
He recently stepped down as chairman of the British Film Institute after
serving four years in the role. He was a partner with Sydney Pollack in Mirage Enterprises, and served as
producer on Mirage pics, including “The Interpreter,” “Catch a Fire” and “The
Reader.”
He is survived by his wife Carolyn Choa, a producer, and his two
children — Hannah, who was named last week as president of production at Sony Pictures Animations, and
Max, an actor who is currently filming “Agora” with Spanish director Alejandro Amenabar.
His longtime collaborator and friend Harvey Weinstein said in a statement,
“I am shocked and heartbroken that we have lost Anthony. He was my mentor, my
partner and, most of all, my brother. The grace, joy and tenderness he brought
to his films were symbolic of his life and the many people he touched. There are
many personal and professional moments we have shared together and I will
treasure them for the rest of my life. Our thoughts and prayers are with his
beautiful family at this difficult moment.”
Jude Law, who starred in “The Talented Mr Ripley,” “Cold Mountain” and
“Breaking and Entering,” said, “I am deeply shocked and saddened to hear of
Anthony’s untimely death. I worked with him on three films, more than with any
other director, but had come to value him more as a friend than as a colleague.
He was a brilliantly talented writer and director who wrote dialogue that was a
joy to speak and then put in onto the screen in a way that always looked
effortless. He made work feel like fun. He was a sweet, warm, bright and funny
man who was interested in everything from football to opera, films, music,
literature, people and most of all his family, whom he adored and to whom I send
my thoughts and love. I shall miss him hugely.”
Minghella was born Jan. 6, 1954 on the Isle of Wight, where his Italian
parents ran a successful ice-cream business. He became a lecturer at Hull
University, and started carving a reputation as a writer for the stage, radio
and TV. He penned episodes of detective drama “Inspector Morse” and high school
series “Grange Hill,” and created the Jim Henson miniseries “The Storyteller:
Greek Myths.”
“Truly, Madly, Deeply,” his directorial debut from his own script, won him a
BAFTA for best original screenplay. He won the best director Oscar for “The
English Patient” in 1997, which also earned him an adapted screenplay
nomination. He got another Oscar nomination in 2000 for the screenplay of “The
Talented Mr Ripley.”
He made his only acting appearance as a TV interviewer in the final section
of Joe Wright’s “Atonement.”
His next movie was supposed to be “The Ninth Life of Louis Drax” for the
Weinstein Co.
He also directed his first opera, Puccini’s “Madam Butterfly,” at London’s
English National Opera in 2005, later transferring to New York’s Metropolitan
Opera.
Minghella’s status as a public figure in the U.K. was underlined by personal
tributes from prime minister Gordon Brown and former PM Tony Blair, whom Minghella directed
together in a 2005 election broadcast.
John Woodward, chief executive officer of the U.K. Film Council, commented:
“Anthony was at home in many art forms, but ultimately he was one of the great
British filmmakers of his generation.
“He sweated over every frame of every film, but his influence went beyond the
films and he was a top ambassador for the industry both in the U.K. and
internationally.
“As chairman he laid the foundations for the renaissance of the BFI and he
was a brilliant member of the U.K. Film Council board for five years. Even more
importantly he was 100% genuine and he believed in the goodness of others.”
Source: Variety.com